UCLA Center for Communication Policy
Television Violence Monitoring Project
Table of Contents
PART I. Introduction
A. Overview
B. Historical Background
PART II. The Study
A. Background
B. Independence
C. The Scope of the Monitoring
D. Methodology
1. Rationale and Definitions of Violence
2. The Monitoring Process
3. The Weekly Meetings
4. Criteria
E. Operating Premises and Stipulations
PART III. Findings in Broadcast Network Television
A. Prime Time Series
1. Programs with Frequent Issues
2. Programs with Occasional Issues
3. Interesting Violence Issues in Prime Time Series
4. Programs that Deal with Violence Well
B. Made for Television Movies and Mini-Series
1. Leading Examples of MOWs and Mini-Series that Raised Concerns
2. Other Titles Raising Concerns about Violence
3. Issues Raised by Made-for-Television Movies and Mini-Series
C. Theatrical Motion Pictures on Broadcast Network Television
1. Theatrical Films that Raise Concerns
2. Additional Theatrical Films that Raise Concerns
3. Issues Arising out of Theatrical Films on Television
D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements
E. Children's Television on the Broadcast Networks
PART IV. Findings in Other Television Media
A. Local Independent Television Programming and Syndication
B. Public Television
C. Cable Television
1. Home Box Office (HBO)
2. Showtime
3. The Disney Channel
4. Nickelodeon
5. Music Television (MTV)
6. TBS (The Atlanta Superstation)
7. The USA Network
8. Turner Network Television (TNT)
D. Home Video
E. Video Games
PART V. Conclusions and Recommendations
A. Conclusions
B. Recommendations
PART VI. Appendix
A. Scene Sheet
B. Television Series Monitored on the Broadcast Networks
C. Television Movies Monitored on the Broadcast Networks
D. Theatrical Films Monitored on the Broadcast Networks
E. Home Video Rentals Monitored
F. Television Movies and Theatricals Films Needing Advisories
G. Television Movies with Violent Titles
H. Description of the Center for Communication Policy
Back to "Violence Reports"
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